Perle Fine: Painting Through Barriers
By Sky Malerba In a world of male artists and curators, Boston born, Malden-raised Perle Fine never quite got the acclaim owed to her. An abstractionist and a constructor of collage, Fine was shaped by the avant-guard scene of the early to mid 20th century in New York City. Fine is the selection for Week Four of Malden Arts Mondays, a two-month long celebration of artists and figures who have lived in Malden. Fine’s career arguably picked up steam in May of 1943 when two of her paintings were entered into and featured in Peggy Guggenheim’s Art of This Century museum. Two years later Fine would enjoy her first solo exhibition in 1945 at the Willard Gallery. Gradually, Fine integrated herself into artist communities where she socialized with other expressionists in clubs like the Betty Parsons Gallery, in 1948 — an atmosphere not unlike the enlightenment groups in 19th century French salons. She congregated with the likes of Clyfford Still Mark Rothko, Jackson Pollock, and others. By the 1960s Perle Fine was a lecturer and associate professor and is cited as […]